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The roof limits are the lateral extremity of the condensed subchondral bone and, medially, the junction roof-acetabular fossa line (fig 1 ⇑). JSW of the hip on the coronal radiograph refers to the interbone area between the acetabular roof and the part of the femoral head facing it. Furthermore, we examined the shape of the acetabular roof according to the three types noted by one of us over many years (see definitions below).įor the purposes of this study, the parameters used are defined as follows: The aims were not only to measure the JSW of normal hips at the three principal sites (fig 1 ⇓), and to determine the influence of age and sex, but also to check the possible relationship between JSW and primary architectural deformities (dysplasia, acetabular protrusion, and coxa profunda). Our study was sponsored by GETROA, a French research group comprising radiologists, rheumatologists, and orthopaedic surgeons, and involved 10 centres in France and one in Belgium (see Acknowledgements). In contrast, we found no studies considering the relationship between JSW and dysplasia, acetabular protrusion, or coxa profunda, or the distortion of the JS shape by possible acetabular roof dysmorphia. All these studies sought differences in JSW according to age and sex. The other three studies used pelvic x ray findings and involved 120, 11 240, 12 and 171 8 subjects. These radiographic incidences do not encompass exactly the same JS segment as routine radiographs of the pelvis, which are centred at a lower point. Two comprised 533 x ray studies 9 and 118 x ray studies 10 on plain urographic and abdominal films, respectively. We found five main published studies offering sufficient methodological details and dealing with the JSW of normal hips. Moreover, owing to a lack of accepted normal values, the JSW of interest is usually compared with the contralateral JSW, which may itself be abnormal. 2, 3 However, in studies of occupational risk, for example, the threshold JS value defining OA of the hip varies among authors from <4 to <1.5 mm, 4–, 7 and measurements are generally made only at the apical site. 1 As epidemiological studies include many painless OA hips, they often include JSN as the most robust and useful radiographic feature. The American College of Rheumatology classifies as “OA” only painful hips meeting at least two of the following three criteria: sedimentation rate ⩽20 mm/1st h, osteophyte, and joint space narrowing (JSN). These normal values are needed to set the limits of significant early radiographic alterations in patients with osteoarthritis (OA). More information is needed on the radiographic joint space (JS) of the normal hip, including its shape, its width at precise locations, and the influence of age, sex, and congenital morphology. These findings may have important implications for epidemiological studies and early diagnosis of osteoarthritis of the hip. The roof curve is dysmorphic in about 20% of patients. A roof curve abnormality was found in 96/446 (21.5%) hips.Ĭonclusions: Normal JSW values vary widely the JSW is commonly narrower at the superomedial site than at the apical site, and is sometimes asymmetric. The JSW was thicker in dysplastic hips, and thinner in hips with coxa profunda. Eight cases of acetabular dysplasia (7 unilateral) and 16 cases of coxa profunda were found, but no cases of acetabular protrusion. Marked right/left JSW asymmetry was seen in 13/221 (5.9%) subjects. Mean JSW values were higher at the superolateral site than at the apical and superomedial sites in nearly 80% of cases. Interindividual variations in JSW were large (apical site: 4.19 (0.92) mm range 2–7). Results: 223 radiographs (446 hips) from 127 women and 96 men (mean age 51.3 years) were examined. Methods: On routine conventional pelvic radiographs taken in the supine position in patients with no history of hip or lumbar pain, JSW was measured at three points (superolateral, apical, superomedial), together with the VCE, HTE, and neck shaft angles acetabular depth and femoral head diameter. Objectives: To determine the range of normal radiographic joint space width (JSW) values and the shape of the normal hip, and the influence of age, sex, dysplasia, coxa profunda, and acetabular roof curve abnormalities on these values. You can copy any content you want from it, including images and diagrams. Word opens the PDF content in a new file. Go to File > Open and browse to the PDF file. You can copy any content you want from a PDF by opening it in Word. 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I woke soon after the alarm, but presumably deeper sleepers have noted that the sound alarm shuts off too soon. Unlike with the Philips clocks, both the light and the sound stop (instead of just the sound) when you hit snooze at least one online reviewer disliked this, though my husband actually preferred it. The radio and its alarm rendition of Pachelbel’s Canon sounds tinny compared with our more-expensive picks, and the time display is less subtle, but set it to the bird chirping and ocean waves and turn the display off, and you should be fine. (We found similar flaws in the other under-$50 wake-up lights we tried.) You can also pair the light with one of its seven alarm tones (almost as many as on the Somneo at a fraction of the cost), including the radio. Even at its peak, the light doesn’t quite fill the room-it’s only 130 lux, compared with our main pick’s 300 and the entry-level Philips’s 200. Rather than simulating dawn or dusk, its white light simply grows from dim to bright within a 30-minute window-no fancy color nuances, and with a less gradual change than on our other picks. We also like that you can set multiple alarms during the week and that the sunset component comes with the option of several “wind down” routines, complete with calming sounds and (if you like) visual prompts to guide you in deep breathing. We think it’s the intuitive app that truly makes the upgrade worth it, allowing you to program your sunrise and sunset times and other features much more easily than navigating the buttons on the clock. It also has sensors that detect temperature and humidity, noise, and light levels (which post readings on its app), a built-in nightlight (just tap if you need it), and a USB port. But it offers more alarm sounds and a wider range of brightness levels and programmable sunrise nuances. The Philips SmartSleep Connected Sleep and Wake-Up Light (essentially the Bluetooth-connected version of the SmartSleep HF 3650, previously called the Somneo HF3650, our former upgrade pick) has many of the same features as our main pick, including a natural, red-tinted sunrise and sunset light. It’s for anyone who is eager to use their clock as an accessory for an entire sleep ritual. The app supports the easy set up on dual alarm, choosing your favourite wake-up music from iPhone, Radio, and buzzer.This upgrade isn’t for someone who is simply looking for a sunrise alarm clock to go to bed and wake up to. The list can be sorted and edited by using app GUI The app shows the list of Preset stations memorized in each Tuner. Radio Preset station list (with D-Sappli) D-Sappli lets you make simple settings to the speaker dock functionīy docking your iPhone to the speaker dock, the app automatically syncs the Date/Time/Time Zone to the dock with your iPhone setting "D-Sappli" also optimizes the functions of the Sony speaker docks. Sonys D-Sappli is a free app that lets you play music anytime you want. Digital tuning and 30 station presetsĬonvenient alarm functions to suit any lifestyle - dual alarm, sleep timer and snooze button Uplift Space saving structure, Value-added designĭock-able with new iPod models with carrying case on Stable operation while its on dockĬatch your favourite radio show with the built-in FM/AM tuner. Easy to see Clock display, Wake to Music, Easy to use Dual Alarm/Sleep The film unfolds over one summer in Derry, a small American town that is cursed. The part of the book dramatised here was set in the late 1950s, but the filmmakers have moved the action forward to the Eighties, the period in which King actually wrote the book.ĭirector Andrés Muschietti (whose only previous feature was the 2013 horror Mama) proves himself equally assured at working with young actors on what is, on one level, a very traditional rites of passage story, and in spilling blood in vast quantities whenever the need arises. King’s novel has already been made for the screen once before, as a TV series with Tim Curry as the demonic clown. Those films in turn often demonstrated a yearning for lost childhoods and times past the dear dead days beyond recall. It harks back to the great Stephen King adaptations of the 1980s, most notably Stand By Me. The film manages the feat of being very evocative and, on occasion, quite terrifying. There’s a double dose of nostalgia in the tremendous new Stephen King adaptation. Wind River is still a very absorbing film to watch – a murder mystery with a strong lyrical and philosophical streak. For the rest of the time, the tone is more meditative than confrontational. When he is on screen, the film develops an edge. James Jordan gives a memorably nasty, self-pitying and creepy performance as the security guard, Pete. Confronting yet another freezing day, Olsen’s FBI agent sighs in exasperation to a colleague: “Didn’t you get the memo that it’s spring.” Renner’s tracker also has a nice line in deadpan irony. He leavens matters with an occasional flickering of humour. There’s something perfunctory, too, about the way he sketches in the details of Lambert’s family life, introducing us only in passing to his wife (from whom he is separated) and his young son. There’s an attraction between the tracker and the FBI agent but Sheridan doesn’t overemphasise it at all. The elegiac music from Nick Cave and Warren Ellis adds to the film’s dreamy, slow motion quality, and to the feeling of sadness and loss with which the story is imbued. Like Hawkeye in Last Of The Mohicans, he relies on stealth, not speed. He does drive his snow bike at speeds of 80 mph or more but that doesn’t mean he is ever in a hurry. This means the tempo is on the languid side. ICloud also provides the means to wirelessly back up iOS devices directly to iCloud, instead of being reliant on manual backups to a host Mac or Windows computer using iTunes iCloud backups occur daily over Wi-Fi when the device is locked, plugged in, and connected to a power source. The service provides its users with a way to store data such as documents, photos, and music on remote servers for download to iOS, macOS, or Windows devices, share and send data to other users, and manage their Apple devices if lost or stolen. To setup Google Drive for your business, get in touch with a technician. 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Despite its name suggesting that it contains only content related to Apple’s ecosystem including its hardware products (such as iPad and iPhone), it also stores non-Apple related content such as photos taken using Android devices and mobile app data from different mobile apps not acquired by Apple such as Google Maps or WhatsApp messages. Functionality was later added in iOS 7 that enabled Siri to perform online searches for information about music tracks currently playing through the user’s headphones via Shazam – a feature not included in earlier versions of iOS. iCloud also supports the Windows Contacts and Calendar applications by synchronizing with Outlook CalDav on Windows PCs. It replaced Apple’s MobileMe service, acting as a data syncing center for emails, contacts, calendars, bookmarks, notes, reminders (to-do lists), iWork documents, photos, and other data. The service provides its users with the means to store data such as documents, photos, and music on remote servers for download to iOS, macOS, or Windows devices, to share and send data to other users, and to manage their Apple devices if lost or stolen. As of February 2016, the service had 782 million users. ICloud is a cloud storage and cloud computing service from Apple Inc. While both have their pros and cons, I believe that Google Drive is the better of the two. People have been debating about which cloud storage service is better, iCloud or Google Drive. If you type "girls" and "Formula One" into Google, for instance, you'll not read about a woman competing in that sport this season - because all the drivers on the grid are men - but you will see plenty of photos of women wearing not very much. And the point here isn't to be a sour puss and pretend that a bit of wanted attention from the opposite sex isn't pleasant.īut it grates to see sports that haven't given female competitors an equal shake putting women on parade for their looks and not their athletic abilities. For me, that's the tradition, that's no problem," she said. "You get the flowers on the podium and you have to get the flowers from somebody and it's nice, for us, if it's a handsome guy or, for the guys, if it's a pretty girl. Olympic cycling champion Marianne Vos said she got kisses from a podium boy when she won a race in the Netherlands, the Ronde van Drenthe, last month. It shows off the freshness of the young hostesses. "It doesn't pose a problem to the riders - quite the contrary - or to the sponsors, who are happy to have such smiling faces promoting their image," he said. "We haven't found anything better," said Laurent Lachaux, marketing director at ASO, organizer of the Tour de France, explaining why the race employs 50 or so young pretties to hostess and for the daily podium awards. Podium girls, grid girls, flower girls, race queens, pit babes - the nick-name and hemline lengths vary from sport to sport but the job description is fairly universal: look good, pose for photos, and make men look attractive and successful by applauding and kissing them before they celebrate by spraying everyone with champagne. Still, why are women put in such positions? With an audience and cameras watching, Leye could hardly have whipped around and given Sagan the slap he deserved. The woman, Maja Leye, tweeted that Sagan's pinch "was wrong" and "I hope this never happens again." But she also said she accepted his apologies - so no lasting harm seemed to be done. "I promise to act more respectfully in the future." I'm so sorry," the 23-year-old, looking genuinely contrite, said in a YouTube video. Sagan, who was on the podium as the race runner-up, later realized how inappropriate his gesture was. She couldn't see the grope coming because she had her back to him and was otherwise engaged doing her duty - planting a kiss on the cheek of race winner Fabian Cancellara. Photos caught him red-handed with a cheeky smile as he squeezed. I hate to say it that way, but like, you know, they are being used as eye candy and attracting people to the track, along with the drivers."Īre male attention spans so pitifully short that they lose their appetite for sports that don't offer side orders of female beauties to snort at?īoxing fans, for instance, can't talk among themselves for 60 seconds while fighters take breathers? They need women in bikinis and heels to entertain them and help them track the rounds because they can't count from one to twelve themselves? How sad.Ĭyclist Peter Sagan inadvertently raised such questions when he pinched the bottom of a "podium girl" at the Tour of Flanders, a race over cobbled roads and hills in Belgium. "These women are being photographed by thousands of people, all day long, and stared at kind of like a piece of meat. He designed the outfits - red cowboy boots, short white skirts, white tops with deep necklines - worn by the so-called "grid girls" at last year's Formula One race in Austin, Texas. That's what advertisers use and marketing companies use, because it just sells," said Ross Bennett. Sports that don't give women equal opportunities but encourage them to flash a bit of leg are suggesting that their place is to be the sidekicks of victorious men, instead of being victorious and competing themselves. Ultimately, by doing so, they are saying that among the best uses for a woman is to look hot. So why do these and other sports feel compelled to feed fans eye candy? If they stopped employing invariably young and pretty women to parade around, often in short skirts or less, would motor racing, cycling and boxing die? TIP:when you go to the control chooses you can choose what control you want to activate the wine or other held objects.(one drink of wine restores your health when it is at 45.One more thing if you don't use the wine during this level it will not be useable in any other levels. SS head Himmler has Hitlers full backing to twist science and the occult into an army capable of annihilating the. Now go to the left end of the room the wall should be open then you can shoot out the glass and get the wine(3). Go in between them and press the action button and one of the bricks in the wall should cave in. When you look you will see the first two big barrels. After it explodes run in and wipe out the survivors. When you get to the wine cellar throw a German Grenade inside the cellar. Only able to use this code in first level. 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It took me over 2 months to find all of this out, so I'm posting it here in the hopes that I'll be able to save at least one person the trouble I went through.For example, to change your name to "AmericaTheBeautiful" in red, white, and blue, enter /name ^1America^7The^4Beautiful.ĭO NOT CHEAT BEFORE FOREST LEVEL. deb, extract it, and put the file and symlink in /usr/lib/, and then you'll be able to launch the game. If you're on x86_64 like me, you need to download the i386. Just pick the correct version of it for your architexture. You can download the version you need from the Debian archives for free. However, there has been an effort to get a native launcher for Intel-based Macs a while ago.Īs for Linux, you need to install an archaic version of libstdc++ to get it to work. Sadly, the Mac version of RtCW will only launch on versions 10.6 Snow Leopard and older, as Apple removed support for PPC applications in 10.7. The launchers are the only things that change from platform to platform, and ID gives those out for free. I checked out ID's public FTP server and downloaded some of the launchers and beta updates, and eventually I got it working on all of my computers, including my Ubuntu desktop!Īll of the game files are in the "Main" directory, and those are the same across every platform. My dad actually found an old CD for the Mac version of RtCW in his desk last summer. The merging of music and art with numeral assets will take the industry in a fresh direction. Web3 is empowering lofty-value numeral assets like NFTs, and I am fabulously impassioned about their hereafter role, as shown by the fact that Robert Graham, a creator and Influencer agency founder, is head of talent. By uniting numeral art with dwell events and furnishing the marketplace to join numeral artists with creators, Afterparty is creating it comfortable to supervise. 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